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Cannes 2023 :: Killers of the Flower Moon :: Martin Scorsese’s Bitterest Crime Epic
Martin Scorsese triumphs yet again. A story about greed, corruption, and the mottled soul of a country that was born from the belief that it belonged to anyone callous enough to take it.. |
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Berlinale 2023 :: Full Winners List
This year’s jury, headed by Kristen Stewart, gave
the Golden Bear award to the French documentary “On the Adamant..” The Silver Bear for
Best Lead Performance notably went to child star Sofia Otero for “20,000 Species of Bees.”
Philippe Garrel's “The Plough” was.. |
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BAFTA 2023 :: ‘All Quiet on the Western Front’
Dominates BAFTA Awards With Seven Wins
“All Quiet on the Western Front” dominated the BAFTA Awards in London on
Sunday night with a record-breaking seven wins for a film not in the English languag,
including for Best Director.. |
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Berlinale 2023 :: Golshifteh Farahani :: Talks Role Of
Art In Iran
“In A Dictatorship Like
Iran, Art Is Essential, It’s Like Oxygen.” Iranian actress Golshifteh Farahani, who is at the
Berlin Film Festival as a member of Kristen Stewart’s jury, has talked passionately about the
importance of art.. |
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SIFF 2023 :: Shirin Ebadi :: Until We Are Free
This is the amazing, at times harrowing,
simply astonishing story of a woman who would never give up, no matter the risks. The first
Muslim woman to receive the Nobel Peace Prize, Shirin Ebadi has inspired millions around
the globe.. |
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IFFR 2023 Awards :: 'Le spectre de Boko Haram' and
'Endless Borders' are the victors
Cyrielle Raingou’s documentary took home the Tiger Award, whilst Abbas
Amini’s feature won the VPRO Big Screen Award, as the Dutch gathering celebrated its in-
person comeback.. |
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Winners of the 2022 ‘Sepanta Awards’ :: 15th Annual
Iranian Film Festival
This year, the
festival presented 50 films from Iran, USA, Italy, France, Luxembourg, Greece, UK, Canada,
Australia, and Denmark…, ranging from fiction, documentary, short, animation…. to the
music video.. |
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Opinion :: Will Venice Protests Help or Hurt filmmakers
in Iran?
As the Venice Film Festival
celebrates Iranian cinema — with four Iranian films screening at the 79th Biennale — back
home in Tehran, Iranian filmmakers and artists are facing the harshest crackdown in
decades.. |
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Biennale Cinema 2022 :: Awards Ceremony
Official Awards of the 79th Venice Film Festival.
Announced by the five international Juries, chaired by Julianne Moore, during the Awards
Ceremony that was held on Saturday 10th September at 7:00 pm..
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Coming: 15th Annual Iranian Film Festival! : San
Francisco: Sep. 17-18
This year, the
festival presents 50 films from Iran, USA, Italy, France, Luxembourg, Greece, UK, Canada,
Australia, and Denmark…, ranging from fiction, documentary, short, animation…. to the
music video. We are happy and proud to.. |
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Screening in LA
Cold Sweat (Aragh-e Sard) review
Intelligently written, well performed and emotionally rewarding
By World Cinema Reports' Editors, CWB
on 06/06/2019 CinéEqual
A piercing drama of inequality. --Jordan Mintzer, Hollywood Reporter
Intelligently written, well performed and emotionally rewarding. --Richard Kuipers, Variety
Like many Iranian films of late, this one depicts a society plighted by inertia and helplessness, especially for women treated as less than equal by the law. Even for a star athlete — and one has brought honor to her country — victory is forever out of reach.
Cold Sweat is an Iranian film directed by Soheil Beiraghi that will be screened in Los Angeles for two nights, June 9th and June 13th. For more information please check the Facebook page of the film.
I had the opportunity of watching Cold Sweat and I enjoyed the film with it's critical look into the subject of treating women as a property of the husband and deeply address this matter.
Cold Sweat has a powerful structure and engages your mind to its subject even after leaving the theater. Baran Kosari and Amir Jadidi both offer great performances and Soheil Beiraghi, Cold Sweat director, will be on our watch list for his future films. I strongly recommend Cold Sweat to audiences.
The following is a review of Cold Sweat published in Hollywood Reporter, Cinema Without Borders & CineEqual will post two more reviews of the film after its screening in LA.
(Bijan Tehrani)
In the heatedly performed drama Cold Sweat (Araghe Sard), a professional female soccer player finds herself stranded at home as her team takes off to Malaysia for the Asia Cup finals. The reason she’s left behind is due to a simple and completely lopsided facet of Iranian civil law: A woman needs permission from her husband in order to leave the country. If he says no, she’s stuck.
And so, in writer-director Soheil Beiraghi’s quietly gripping second feature, Afrooz (Baran Kosari), the captain of Iran’s national futsal squad — futsal is a form of indoor soccer that’s played on a handball court — winds up being shut out of the big game by her bitter, about-to-be-former husband, Yaser (Amir Jadidi), who takes revenge on his wife’s emancipated ways by doing the only thing in his power to keep her around.
It’s a setup worthy of Asghar Farhadi — while also reminiscent of Jafar Panahi’s 2006 film Offside, which focused on female soccer fans in Tehran — and Soheil Beiraghi uses it to explore a highly inequitable aspect of Iranian society, depicting Afrooz’s gradual unraveling as she goes from star player to powerless wife who’s forced to abide by the whims of the men in charge.
Intimately told, with the camera mostly glued to lead Kosari’s frustrated face, Cold Sweat was recently released in France and could see wider exposure abroad after festival bows in Stockholm and Tokyo.
An energetic opening showcases Afrooz’s skills on the futsal court, where she leads Iran’s national team to a comeback victory that will take them to the finals. But just when she’s about to board the plane for the big game in Malaysia, immigration officials tell her that she can’t leave Iranian soil unless her husband allows her to.
Thus begins Afrooz’s long and painful attempt to make it out in time, with Yaser, who hosts a serenely pious daytime TV show, blocking her at every turn. Why he’s doing this is not entirely clear at first (the couple has already been separated for a year), although one initially suspects he may be taking revenge on the fact that Afrooz has become close to a fellow teammate (Hoda Zelnolabedin), with whom she now lives.
But as Soheil Beiraghi follows Afrooz trying to maneuver Iran’s draconian legal system, where at best she can hope to obtain a divorce that will set her free, Cold Sweat ultimately shows that what bothers Yaser most is his wife’s emancipation — the fact that, instead of sitting at home and making dinner every night, Afrooz chose to pursue a career and a passion, and did so in a competitive sport that’s often reserved for men.
You can’t help but feel for Afrooz as she keeps getting knocked down by the powers-that-be (this includes her wet blanket of a husband), even though she can also be irascible at times, refusing to make compromises and hiring a lawyer (Lelli Rashidi), who tries to turn her predicament into an international affair.
The veteran Kosari, who was in Abbas Kiarostami’s Shirin and short film from To Each His Own Cinema, is a ball of energy in a role where she’s constantly tries to contain her character’s rage — particularly in an explosive sequence reminiscent of A Separation, where the bickering couple appears before an unseen judge.
Yet in the end, Cold Sweat reveals how much Afrooz may be fighting a losing battle: She’s a powerhouse in futsal, but in real life, her anger and audacity can only take her so far.
Like many Iranian films of late, this one depicts a society plighted by inertia and helplessness, especially for women treated as less than equal by the law. Even for a star athlete — and one has brought honor to her country — victory is forever out of reach.
Cast: Baran Kosari, Amir Jadidi, Sahar Dowlatshahi, Lelli Rashidi, Hoda Zelnolabedin
Director-screenwriter: Soheil Beiraghi
Producers: Soheil Beiraghi, Medhi Davari
Director of photography: Farshad Mohammadi
Production designer: Soheil Beiraghi
Editors: Bahram Dehghani, Mohammad Najarian
Composer: Karen Homayoonfar
By Jordan Mintzer for Hollywood Reporter
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